EYE NO Prince Lovesexy Symposium by Integrated Digital Media at NYU Tandon.

Following the success of the Prince From Minneapolis Symposium and in the next stage of the development of what we are now terming “Princecology”,  EYE NO Prince Lovesexy Symposium will celebrate the 30th anniversary of Prince’s tenth album, Lovesexy at NYU Tandon on June 1st and 2nd 2018. The symposium will consist of a reception, an […]

NME LifeHacks. November 23rd 2017, Islington Metalworks, London.

In quite a diversion from my normal academic life, next week I’ll be speaking at the NME Flagship LIFEHACKS event at Islington Metalworks in London. The event, in partnership with The University of Salford and Create Jobs is a series of talks and panels designed to help young people kick-start their careers in the creative industries. […]

Prince From Minneapolis: April 16th-18th 2018

I  am delighted to announce my involvement, alongside my Purple Reign Conference co-organiser Professor Mike Alleyne, in the upcoming Prince From Minneapolis symposium in April 2018. Mike and I will act as consultants to the event which will investigate Prince’s unique relation to Minneapolis and Minnesota and will explore what demographic, cultural, and economic conditions were in […]

Call for Papers “Purple Reign: An interdisciplinary conference on the life and legacy of Prince”, Media City UK, University of Salford, Uk May 2017

I’m very pleased to announce the following call for papers: “Purple Reign: An interdisciplinary conference on the life and legacy of Prince” A two-day international conference hosted by The School of Arts and Media, University of Salford, UK and the Department of Recording Industry, Middle Tennessee State University, USA 24th- – 26th May 2017 Media City UK, […]

The Arena Concert: Music, Media and Mass Entertainment just published

Given the recent spotlight on Beyoncé’s Super Bowl performance, I thought why not remind folks that our recently published The Arena Concert: Music, Media and Mass Entertainment (Bloomsbury Academic, 2015)  presents research and findings in relation to expanded critical approaches to popular music, in the context of, and as prompted by the need to evolve […]