Pop Cultures: Women, Music and Celebrity at Celebrity Culture Club, AllBright, Mayfair, London.

It was a pleasure to speak at Celebrity Culture Club at the AllBright, Mayfair on Women, music and celebrity. The evening interrogated women’s status in the music industry from a variety of perspectives. In essence, the panel discussed the ways in which pop music culture circulates representations of women that both shape and reflect their role in pop culture. At both ends of the spectrum it is a site for some of the most regressive gender tropes and some of the most excitingly resistant, norm-shattering responses to them.

I shared the stage with the following fabulous women:

Ayse Hassan, the bassist for Mercury Prize shortlisted, all-female post-punk band, Savages. She makes music in collaborations Kite Base and 180db and solo as ESYA.
Maxie Gedge does Communications for PRS Foundation, the UK’s leading funder for new music and talent development. She is the Director of the record label Gravy, and the drummer for both angry pop girl group Graceland and Current Bond. She has an MMus in Sonic Arts, has worked for festivals, venues and talent development organisations, programmed hundreds of new music shows, and promotes and DJs at queer dance parties.
Carla Marie Williams, Songwriter on Beyonce’s Grammy winning album Lemonade
Chair: Dr Hannah Yelin Senior Lecturer in Media and Culture, Oxford Brookes University.

Published by kirstyfairclough

Kirsty Fairclough is Associate Dean: Research and Innovation in the School of Arts and Media at the University of Salford, UK and Chair of the University Women’s Voice Network. She has published widely on popular culture and am the co-editor of The Music Documentary: Acid Rock to Electropop (Routledge), The Arena Concert: Music, Media and Mass Entertainment (Bloomsbury) and Music/Video: Forms, Aesthetics, Media. New York, (Bloomsbury) and author of the forthcoming Beyoncé: Celebrity Feminism and Popular Culture (I.B Tauris) and co-author of American Cinema: A Contemporary Introduction (Palgrave). Her work has been published in Senses of Cinema, Feminist Media Studies, SERIES and Celebrity Studies journals and she has made several television and radio appearances. Kirsty has lectured internationally on popular culture, feminism and representations of women most notably at The Royal College of Music, Stockholm, The University of Copenhagen, Second City, Chicago, Columbia College Chicago, Middle Tennessee State University, Unisinos Brazil and Bucknell University, Pennsylvania. She has significant experience in international partnership development, particularly in North America and developed the Salford Popular Culture Conference series with international partner universities, including I’ll See You Again in 25 Years, Twin Peaks and Generations of Cult Television: A Two Day International Conference (University of Salford, May 2015) and Mad Men: The Conference (Middle Tennessee State University, May 2016) and Purple Reign: An interdisciplinary conference on the life and legacy of Prince, a three day international academic conference hosted by the School of Arts and Media, University of Salford, UK and the Department of Recording Industry, Middle Tennessee State University, USA.

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