It was a pleasure to speak at Celebrity Culture Club at the AllBright, Mayfair on Women, music and celebrity. The evening interrogated women’s status in the music industry from a variety of perspectives. In essence, the panel discussed the ways in which pop music culture circulates representations of women that both shape and reflect their role in pop culture. At both ends of the spectrum it is a site for some of the most regressive gender tropes and some of the most excitingly resistant, norm-shattering responses to them.
I shared the stage with the following fabulous women:
Ayse Hassan, the bassist for Mercury Prize shortlisted, all-female post-punk band, Savages. She makes music in collaborations Kite Base and 180db and solo as ESYA.
Maxie Gedge does Communications for PRS Foundation, the UK’s leading funder for new music and talent development. She is the Director of the record label Gravy, and the drummer for both angry pop girl group Graceland and Current Bond. She has an MMus in Sonic Arts, has worked for festivals, venues and talent development organisations, programmed hundreds of new music shows, and promotes and DJs at queer dance parties.
Carla Marie Williams, Songwriter on Beyonce’s Grammy winning album Lemonade
Chair: Dr Hannah Yelin Senior Lecturer in Media and Culture, Oxford Brookes University.