EYE NO Prince Lovesexy Symposium by Integrated Digital Media at NYU Tandon.

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Following the success of the Prince From Minneapolis Symposium and in the next stage of the development of what we are now terming “Princecology”,  EYE NO Prince Lovesexy Symposium will celebrate the 30th anniversary of Prince’s tenth album, Lovesexy at NYU Tandon on June 1st and 2nd 2018.

The symposium will consist of a reception, an opening keynote with Prince collaborators Cat Glover, Dr. Fink & Ingrid Chavez, and a screening on Friday, June 1st to launch the event.  A full-day of 4 panels will follow on Saturday, June 2nd with a closing keynote with Prince’s cousin, Charles “Chazz” Smith.

Professor Mike Alleyne and I will present Glam Slammed: Visual Identity In Prince’s Lovesexy. The paper will explore  the ways in which Lovesexy signalled the beginning of a period where Prince wrestled with moral and spiritual questions. We will consider how the central tenet of the album, the battle between God (good) and evil (the Devil, personified as “Spooky Electric”), which largely seems to be an internalised moral struggle, is introduced early in the album. “Lovesexy” as a conceptual framework is never made fully clear, but it seems to be a state of spiritual contentment that fuses a love of God and a connection with humanity via sexuality. The paper will explore the visual presentation of such themes through an analysis of the album cover, music videos, and art direction as part of the evolution of Prince’s visual identity and will consider Lovesexy’s visual style as Prince’s personal mythos.
The paper also explores the controversies surround the Lovesexy album cover. It references the historical roles and functions of the album cover, Prince’s status as a visual icon on his cover art, and comparative perspectives on his nine preceding album covers. Moreover, the analysis incorporates the mainstream cover norms at the time of Lovesexy’s release, photographer Jean-Baptiste Mondino’s collaborative approach to the project with Prince, and ways in which negative critical response to the resulting art contributed to its relative commercial failure. The assessment interrogates multiple possible readings of the cover and its implications for Prince’s visual presentation on later releases. Lovesexy is one of Prince’s career high’s, a landmark album that displays an artist at the peak of his creative powers using philosophical constructs both visually and aurally in a way rarely seen in the mainstream. Thirty years since its release, it sounds and looks more exciting than ever.

http://lovesexy.polishedsolid.com/glam_slammed/

The momentum building around the analysis of Prince’s life and work is reflective of the academic interest from scholars in a range of disciplines across the world. Plans are emerging to bring this work together and will be shared soon.

The EYE NO SYMPOSIUM WEBSITE with more info bios and abstracts can be found here:
http://lovesexy.polishedsolid.com

 

 

 

Published by kirstyfairclough

Kirsty Fairclough is Associate Dean: Research and Innovation in the School of Arts and Media at the University of Salford, UK and Chair of the University Women’s Voice Network. She has published widely on popular culture and am the co-editor of The Music Documentary: Acid Rock to Electropop (Routledge), The Arena Concert: Music, Media and Mass Entertainment (Bloomsbury) and Music/Video: Forms, Aesthetics, Media. New York, (Bloomsbury) and author of the forthcoming Beyoncé: Celebrity Feminism and Popular Culture (I.B Tauris) and co-author of American Cinema: A Contemporary Introduction (Palgrave). Her work has been published in Senses of Cinema, Feminist Media Studies, SERIES and Celebrity Studies journals and she has made several television and radio appearances. Kirsty has lectured internationally on popular culture, feminism and representations of women most notably at The Royal College of Music, Stockholm, The University of Copenhagen, Second City, Chicago, Columbia College Chicago, Middle Tennessee State University, Unisinos Brazil and Bucknell University, Pennsylvania. She has significant experience in international partnership development, particularly in North America and developed the Salford Popular Culture Conference series with international partner universities, including I’ll See You Again in 25 Years, Twin Peaks and Generations of Cult Television: A Two Day International Conference (University of Salford, May 2015) and Mad Men: The Conference (Middle Tennessee State University, May 2016) and Purple Reign: An interdisciplinary conference on the life and legacy of Prince, a three day international academic conference hosted by the School of Arts and Media, University of Salford, UK and the Department of Recording Industry, Middle Tennessee State University, USA.

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